"Well, I am, and I'm the person most concerned. Of course I didn't use just those words: I was perfectly civil, quite as civil as she. But I told her I didn't consider she had a right to put me any such question. I said I wasn't sure that even Mona had, with the extraordinary line, you know, that Mona has taken. At any rate the whole thing, the way I put it, was between Mona and me; and between Mona and me, if she didn't mind, it would just have to remain." Fleda hesitated. "You mean their marriage?"!

"They've looked very beautiful, and they've been very beautiful. Oh, I've told her the sort you are!" the young man pursued. "Poynton was too splendidly happy," Fleda promptly echoed.

Her arrival took the form of a surprise very nearly as violent as that of the other time. The elements were different, but the effect, like the other, arrested her on the threshold: she stood there stupefied and delighted at the magic of a passion of which such a picture represented the low-water mark. Wound up but sincere, and passing quickly from room to room, Fleda broke out before she even sat down. "If you turn me out of the house for it, my dear, there isn't a woman in England for whom it wouldn't be a privilege to live here." Mrs. Gereth was as honestly bewildered as she had of old been falsely calm. She looked about at the few sticks that, as she afterwards phrased it, she had gathered in, and then hard at her guest, as if to protect herself against a joke sufficiently cruel. The girl's heart gave a leap, for this stare was the sign of an opportunity. Mrs. Gereth was all unwitting; she didn't in the least know what she had done, and as Fleda could tell her Fleda suddenly became the one who knew most. That counted for the moment as a magnificent position; it almost made all the difference. Yet what contradicted it was the vivid presence of the artist's idea. "Where on earth did you put your hand on such beautiful things?" Directly after luncheon Mrs. Gereth took her into the garden for a glimpse of the revolution—or at least, said the mistress of Ricks, of the great row—that had been decreed there; but the ladies had scarcely placed themselves for this view before the younger one found herself embracing a prospect that opened in quite another quarter. Her attention was called to it, oddly, by the streamers of the parlor-maid's cap, which, flying straight behind the neat young woman who unexpectedly burst from the house and showed a long red face as she ambled over the grass, seemed to articulate in their flutter the name that Fleda lived at present only to catch. "Poynton—Poynton!" said the morsels of muslin; so that the parlor-maid became on the instant an actress in the drama, and Fleda, assuming pusillanimously that she herself was only a spectator, looked across the footlights at the exponent of the principal part. The manner in which this artist returned her look showed that she was equally preoccupied. Both were haunted alike by possibilities, but the apprehension of neither, before the announcement was made, took the form of the arrival at Ricks, in the flesh, of Mrs. Gereth's victim. When the messenger informed them that Mr. Gereth was in the drawing-room, the blank "Oh!" emitted by Fleda was quite as precipitate as the sound on her hostess's lips, besides being, as she felt, much less pertinent. "I thought it would be somebody," that lady afterwards said; "but I expected on the whole a solicitor's clerk." Fleda didn't mention that she herself had expected on the whole a pair of constables. She was surprised by Mrs. Gereth's question to the parlor-maid. "I?—" The inquiry seemed to have moved him to stupefaction. "Can you ask me that question when I only wanted to please you? Didn't you seem to show me, in your wonderful way, that that was exactly how? I didn't break off just on purpose to leave it to her. I didn't break off so that there shouldn't be a thing to be said against me."